red booth
review


issue 12ve
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 


 

Ideogram

one pagoda spoke
spikes green in grey light
amid the scent of orchids

intangible flesh of green plums
translucent and yellow

after he is gone
I trace his footprints
in the red road-dust

the temple is closed
but the butterfly sleeps still

a pearl dark
in a pale hollow

the red candle burns
the white boat is set asail
under the wings of an albatross

amid the bamboo
he said, “stop”
and I turned

above the horned city
stars jostle the curl of moon

long ago pure white pandas
dried their tears with sooty paws
and now look out of black eyes

I make up the bed-clothes
and shake him back into them

the new cricket, shaky
on intricate papery legs,
sings its folded song
 


Roses
 

In the winter hanging laundry
she remembered her father’s fingers 
thick around thick glazed clay. 
Slow stroke of wet cloth
the strop of steel on birch:
plastic clothespins break too easily. 

She remembered in the winter
the slap of flesh on flesh, smashed
glass underfoot. Her father collected
the burning shards in a handkerchief,
brought her mother sweet tea and roses.


The Afternoon of White Juice 

of itself, the perfect job 
in late summer, paring a pear 
difficult and green to gather 
coming before the bells 
of St. Peter’s sweet during 
the afternoon of white juice 

paring the pear is a job 
in itself and difficult to do-  
perfectly pare the white 
sweet result of summer’s pearing 
during the juice of the green  
calling bells of St. Peter’s 

gather the pared bells: St. Peter’s 
in a green communion together 
with the sweet pears –  
a white and difficult perfection. 
 
 

- Caitlyn C. Bergeron
 
 
 
 
  

Caitlyn's work has appeared in Parnassus
                  LiteraryReview, Artisan, Fauquier Poetry Journal, and most recently, Dream International Quarterly. She lives in Virginia.
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