 |
Blue
Train, Blue Train
1.
There was never a perfect note.
I mean that nothing ever grooved in exactly
the way the sheetmusic
showed.
In case you’ve forgetten: I played trumpet in a trio,
all stripped-down groove, you said, bright as brass and
raggedy around the edges,
come on!
I'm not saying that mine is the
only song,
only that it is
mine.
2.
When you left, I knew you'd be back for a reprise
because of that wicked bridge on "Blue Train."
Three months, not a
peep.
Next I heard, you were gigging in Paris:
standing bass on a tourist boat, easy women
burning money, and would I like to
come?
Let me count the ways. Opening thirds,
rising seventh, resolve on the fifth with a sustained minor
-- shit, you thought I’d have to
think about it?
3.
But the blood thins quick as your breath,
trying to blow a horn into the wind.
Don’t forget: you’ve seen me
naked.
Every night red with wine, whole bars
played backwards, women resolving then dissolving,
and more sunsets decayed than sunrises
sustained.
Later, alone, relearning those old songs.
Everything just a matter of spaces between notes,
far being one thing, and near something altogether
different.
-- A.C. Koch
| A.C. has lived in Europe and Asia, and is
settled now in Zacatecas, Mexico, playing guitar with the combo Clean &
Sexy (www.cleanandsexy.com). Koch’s work has appeared in Mississippi
Review, Tower of Babel, River City, Red Booth Review Anthology, Eyeshot,
In Posse Review, Stirring, and Zacatecas: A Review of Contemporary
Word. |
|